VERONIQUE WEST

  • Creation
    • Szepty/Whispers: Dialogue
    • Szepty/Whispers: Performance
    • The time it takes me to get to you
    • Roots and Seeds
    • Marrow
  • Dramaturgy
    • Underground Absolute Fiction
    • In Response to Alabama
    • The light we'll never see
    • Geologic Formations
    • Corpo(real)
    • Clean
    • Her Name Was Mary
    • Sen - Nemuri
    • Mrs. Singh and Me
    • The Girls Project
    • Institutional Dramaturgy
  • Facilitation
    • Green Room Theatre
    • LEAP Playwriting Intensive
    • Gateway Theatre Academy
    • Art with Impact
  • About
  • Creation
    • Szepty/Whispers: Dialogue
    • Szepty/Whispers: Performance
    • The time it takes me to get to you
    • Roots and Seeds
    • Marrow
  • Dramaturgy
    • Underground Absolute Fiction
    • In Response to Alabama
    • The light we'll never see
    • Geologic Formations
    • Corpo(real)
    • Clean
    • Her Name Was Mary
    • Sen - Nemuri
    • Mrs. Singh and Me
    • The Girls Project
    • Institutional Dramaturgy
  • Facilitation
    • Green Room Theatre
    • LEAP Playwriting Intensive
    • Gateway Theatre Academy
    • Art with Impact
  • About
A colourful inkblot test blooms on a cream coloured page
Szepty/Whispers: Dialogue
A collage made of four square images, including: a black-and-white photo of a woman with her back turned, a page of messy handwriting, a redacted official document, and a black-and-white photo of tanks on a city street.
​Szepty/Whispers: Performance
A pair of hands tend to a garden, gently grasping a green plant and scooping up dirt with a shovel.
​Roots and Seeds
Three phones displaying biometric data are juxtaposed with a drawing of three people sitting with lines illustrating their synchronized nervous systems.
​The time it takes me to get to you
​
A dark-haired, brown-skinned woman, with her back turned, stands against a dark green background. A visual effect gives the impression that her flesh melts away, leaving the bones of her spine and ribcage.
Marrow
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